born in 1986 in Sosnovy Bor, Leningrad Region, currently resides and works in St. Petersburg

graduated with a master's degree in a technical field but has been developing in graphic design since 2015, ranging from creating patterns to her own fabric production, ultimately leading to an artistic practice in an authorial technique of oil painting and other media

works with the paradox of trace in its 'presence of absence' and uses the trace as a tool

has participated in various exhibitions, festivals, and contemporary art fairs, including WIN-WIN at the Vinzavod Center for Contemporary Art (Moscow), the 'Herbs' exhibitions at the Anastasia Postrigai Gallery, "Only the Whole Makes Sense?" at the 'TIHO' Gallery, 'Evergreen' at the National Center for Contemporary Arts of the Republic of Belarus (Minsk), and won a competition to participate in the final exhibition of the XXXII International Festival 'Master Class' (St. Petersburg)

works are held in private collections in Russia and around the world, as well as in the N.K. Roerich Museum-Estate


main:

2026
• april 4-5th XII WIN-WIN Fair, Winzavod Center for Contemporary Art (Moscow)
• april 2nd JOY GALLERY (St. Petersburg)

2025
• Evergreen, National Center for Contemporary Arts of the Republic of Belarus (Minsk)
• Only the Whole Makes Sense?, Tikhо (Moscow)
• Herbs, POSTRIGAY GALLERY (Moscow)
• Behind the Door to Summer, ARTSTORY (Moscow)

2024
• IX WIN-WIN Fair, winzavod Center for Contemporary Art (Moscow)
• WITHOUT PIANOS Fair, ZNUI (Moscow)
• Exhibition-Performance ArtDvizh (Moscow)
• Winning a competition and participating in the final exhibition of the XXXII International Festival "Master Class" (St. Petersburg)
• BODDYCELLI, CABINET ABSTRACT, Sevkabel Port (St. Petersburg)

2023
• Final exhibition of selected works from the "Discovering New Names - 2023" competition, Colors of Life (St. Petersburg)
• Solo exhibition "Landscapes from Dreams," DM "Kupchino" (St. Petersburg)
• Origins, N.K. Roerich Museum-Estate (Izvara)

"
my tool is the trace: i paint without brushes, erasing paint with my hands, collaborating with the material to uncover what is hidden. the result is not predetermined, the process is a way to free oneself from automatism, the medium is co-author and bearer of distinct meaning, and the physical embodiment of the trace is an analog form of manifestation in real reality, a testament to actual events

the center of my practice is the paradox of the trace in the 'presence of absence,' a kind of living body of memory: something that points to what has already passed or disappeared, yet exists in itself and can be significant

my works are more contemplative spaces than objects for perception. they resemble fragments of an emotional network, allowing one to slip out of the accelerated rhythm and slow down

the meanings of this network - memories, thoughts, feelings, states, associations, and interpretations - are very alive and ever-changing, they are simultaneously a condition, a space, a material, and a product of my practice

completed works can be perceived both individually and as part of new and new 'sets,' blurring the boundaries of authorship and completeness. this transforms them into a dynamic phenomenon rather than a static object, much like the intertwining and changing meanings within the emotional network

"