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my tool is a footprint: I paint without brushes, erasing and blurring the paint with my hands, exposing what is usually hidden. the result is not predetermined, the process helps to free oneself from automatism, and the trace becomes the physical embodiment of real events. he is a kind of living memory body: his unique "presence of absence" indicates what has already passed or disappeared, but at the same time exists in itself and can be significant
I create spaces to slip out of the accelerated rhythm, slow down and feel like I'm part of something ancient, big and wise - part of a complex ecosystem in which everything matters without being its center
finished works can be perceived individually, or they can be combined into 'sets'. This blurs the boundaries of authorship, meaning, and completeness, and the spaces created turn into something dynamic, like an ecosystem in which everything is intertwined and endlessly changing
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